The Colour of Money

Gold in Art

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The Colour of Money - Florentine Altarpieces in 14th Century, researched in Florence, Italy by Isabella Wesoly. Illustrated guide to the origins of gold as money / monetary form; the color gold; Papal connections and foreign allegiances during Medieval and Renaissance; New Orders and the Roman Catholic church as economic regulator; Trade, the Ciompi revolt and the Black Death; The House of God; Objects of Devotion; Commissioners, Commodities; Workshop processes, guilds in Italy; artists, art practices: workshop processes, material versus skill; Light & Medieval optics. Illustrated with photographs taken by Isabella Wesoly during a research trip to Florence and its churches in 1996. This material may not be reproduced without the written consent of the author or her legal representative. Enjoy the gold journey you are about to embark on. The introduction is free, subscription to full book via link on page. Paypal only.
photographed by Isabella Wesoly
Have you ever wondered how artists of old came to achieving a certain quality of  illumination in their works of art?

The Colour of Money has the subtitle 'Florentine Altarpieces in the Trecento' because both Florence and the 1300's are significant.
A period in time between Medieval and the Renaissance, this book shows you how and why gold is more than money or jewellery.

Money has an intrinsic value, which when applied to art forms brings certain truths to light.
Gold.. in trade, private wealth and visual art practices allowed a flowing of creativity in the focus period,
albeit with pressures and misfortunes of economic regulation, revolt and Black Death.


This material may not be reproduced without the written consent of the author
 Isabella M.H. Wesoly, 

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